"How can art be realized?
Out of volumes, motion, spaces bounded by the great space, the universe.
Out of different masses, tight, heavy, middling--indicated by variations of size or color--directional line--vectors which represent speeds, velocities, accelerations, forces, etc. . . .--these directions making between them meaningful angles, and senses, together defining one big conclusion or many.
Spaces, volumes, suggested by the smallest means in contrast to their mass, or even including them, juxtaposed, pierced by vectors, crossed by speeds.
Nothing at all of this is fixed.
Each element able to move, to stir, to oscillate, to come and go in its relationships with the other elements in its universe.
It must not be just a fleeting moment but a physical bond between the varying events in life.
Not extractions,
But abstractions
Abstractions that are like nothing in life except in their manner of reacting."
